Christmas Ornaments

Painted up a few ornaments with acrylics. I hope these will be appreciated by whoever receives one.

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Camaro on Canvas - 8x10 (Update)

Blocked in a bit of the background trees. This is the rough stage for blocking in value and tone. Hopefully it will come together eventually.

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Camaro on Canvas - 8x10

Another scene from Autofest last August. This one will depict a 1969 Chevy Camaro SS with an El Camino in the background.

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Doug Gilmour Autographed Painting

I am fortunate to have had Doug sign my painting and a few prints at the Toronto Sports Expo on September 22, 2018. Everything comes with a certificate of authenticity and a seal.

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Cuda Update

Chipping away at it. The details will hopefully bring it to life.

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10 x 8 Acrylic (Update)

Almost have the background complete. On a piece this size, less is more.

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10x8 Acrylic on Canvas

Just began another small acrylic. We'll see how it turns out and if I like it I'd like to do a series of these based on my own shots. I took the picture at Autofest this year that this painting will be based on.

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Another Signed Artwork

Another signed piece, a gouache painting (30x20) created in 2003 to commemorate Paul Tracy's Champ Car championship that year in his Players-Forsythe Lola B2/00.

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Signed Artwork

An old piece that I created back when Paul Tracy was still relevant. A colored pencil rendering of him and his Penske PC-22 in which he won the 1993 Toronto Molson Indy, created in 1996. The second piece is a gouache painting (30x20) created in 2003 to commemorate his Indycar championship that year in his Players-Forsythe Lola B2/00.

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8x10 Landscape (Update)

Further progress. Trying to get the right balance of hard and soft edges to create a convincing portrayal. May need to get further along before passing judgement. Trying to create convincing earthy tones without looking too saturated as well.

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8x10 Landscape Study

Another acrylic on canvas, this time a study of Zion National Park in Utah. I've been wanting to try a southwest landscape for some time, with the rugged landscape and earthy tones allowing for interesting compositions and light/shadow interaction. Just got the mid-tones blocked in, hoping that this will begin to focus as I add detail.

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Forest Light Study (Complete)

Completed this small landscape study with some detailed work, and adding more contrast to accentuate the light.

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FOREST LIGHT (Further Progress)

I've managed to create the mid-tones  and dry-brushed them between the darks and lights that were blocked in on the first post to achieve a nice soft effect and unify the scene. Blocked in the trees with a mix of Burnt Umber, Payne's Grey and Ultramarine Blue.

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